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grumpytrans:

☆

This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 
lauracallaghanillustration:

Setting up files to risograph print for the first time 🌈🍌#comics #illustration #risograph
ashoutintothevoid:

Emma Sulkowicz is on the cover of this month’s New York Magazine and that is the coolest thing wow
zeroing:

Tomás San Andrés
jaketerrell:

excerpt
  • me:
    i am actually so happy with my life right now for once
  • next hour:
    *everything fucks up*